The French police bulletins of October and November were notable in drawing attention to the ideological dangers filtering in from Germany: Werner, with his offensive Attila ; Fichte of the Reden an die deutsche NationGentz in the pay of the Englishand the Schlegel brothers.
The fact was that Madame de Staël did precisely what Napoleon Bonaparte said women should not do: she meddled in politics. Yet Schlegel was not the only one whom leave-taking moved to poetic utterance. Thromboplastins vyk. Or that he, hitherto sedulously unpolitical if one overlooked those unfortunate poems of homagebecame totally, abjectly devoted to her up to her death independent on her movements, propelled to the most unlikely places because of promulgations against her, sharing her exiles, reliant on her largesse, so that even the work most associated with his name, the Vienna Lectures on Dramatic Art and Literature ofmight not have come about without her intervention?
By the time of his arrival in Vienna Friedrich had seen the publication of a work that towered in significance over almost anything that he had produced that decade: Ueber die Sprache und Weisheit der Indier.
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He did not practise ethereality: no serving- wench was safe from his attentions. Having done the busts of the Weimar notabilities and some in Munich, would Tieck not be the ideal sculptor for the Walhalla, the monument to German greatness that was to arise on the banks of the Danube near Regensburg?
That was only to cease with his conversion to Catholicism in Nullam vel mollis neque.
For Sophie, once installed in Rome in , was all for having him come there for what would in effect be a ménage à trois. This exile ceased to be voluntary when early in January , Barante was replaced as Léman prefect by the altogether more assiduous Guillaume Antoine Benoît Capelle, charming but ruthless.
Could he be persuaded? Benjamin Constant had studied at Oxford, Erlangen and Edinburgh and had had a rapid career as a political publicist until Bonaparte put paid to it. To him we owe the only portrait of Wackenroder that we have, the sole record of Ludwig and Sophie Tieck as young writers, the only convincing memorial to Auguste Böhmer.